Cover Up Tattoos: How They Work and What to Ask Your Artist
- costellotattooshop
- Jun 24
- 5 min read
A cover up tattoo places new ink directly over an existing tattoo to partially or fully conceal it. Done well, a cover up can transform something you regret into a piece you're proud of. Done poorly, it can leave you with two tattoos you dislike instead of one. The honest answer to whether a cover up will work for your tattoo depends on several factors: how dark and saturated the old ink is, how large it is, where it sits on your body, and how much it has faded over time. Faded tattoos are significantly easier to cover than fresh, dark, or heavily saturated ones. That said, experienced artists working in the right styles can conceal even stubborn old work. This page explains how cover ups work technically, which styles tend to produce the best results, and what to expect when you come in for a consultation at Costello Tattoo Studio in Sherman Oaks, Los Angeles. Tattoo ink sits in the dermis, the layer of skin below the surface. You cannot simply paint over dark ink with lighter ink and expect it to disappear. Lighter colors like yellows and whites become invisible when layered over dark ink. This is why cover up tattoos require designs that use dark, saturated tones strategically placed to absorb and redirect attention away from the old lines. There are two practical methods artists use: Direct cover up: A new design is tattooed directly over the old one. The new design must be at least as large as the original, and usually larger, to fully enclose the old tattoo and give the artist room to work. Dark backgrounds, heavy shading, and strong contrast are tools that make this work. Rework or blend: Sometimes the old tattoo can be incorporated into the new design rather than fully buried under it. A shape or line from the original becomes part of something new. This approach requires creative design work but can result in a more natural-looking outcome with less overall darkness. The size rule matters. A cover up typically ends up 30 to 50 percent larger than the original tattoo. If you're working with a small piece, that's not a problem. If the original is already large, it's worth discussing design options that make the extra size an intentional part of the composition. Not every style is equally suited to cover up work. The styles that consistently produce the cleanest results share one trait: they use dark values and bold compositions that can absorb old ink without it showing through. Black and grey realism: This is one of the most effective styles for cover ups. Deep black shading, smooth gradients, and strong contrast give an artist the range to bury old lines while creating something with real visual depth. Animal portraits, skulls, landscapes, and faces all work well in this style. Dark florals: Large, dark floral designs are a popular cover up choice for good reason. Bold petals filled with deep blacks and greys can obscure almost any old tattoo, and the organic shapes are forgiving enough to accommodate irregular placement. Geometric and blackwork: Heavy blackwork patterns and geometric fills are effective because they use large areas of solid black ink. They're especially useful when the old tattoo has broad coverage that needs to be fully buried. Neo-traditional and illustrative: These styles use bold outlines and strong fills that can work over old ink, especially when the artist builds the new design around the shape of the original. Styles that rely on light colors, fine lines, or delicate shading (such as watercolor or single-needle) are generally not suitable as cover ups. They may enhance a very faded piece, but they cannot conceal solid old ink. A consultation is not optional for cover up work. The artist needs to see the existing tattoo in person before any design work begins. Photos help, but they rarely capture how saturated or raised old ink is, and lighting affects how dark a tattoo appears on camera. Here's what to bring or prepare for your consultation: Clear photos of the tattoo: Take them in natural light before you come in. These help the artist start thinking about composition before they see you. Reference images of styles you like: Browse work from Costello Tattoo Studio or bring inspiration images from other sources. The clearer your direction, the more productive the conversation. Realistic expectations: A cover up will almost always be larger and darker than the original. If you're hoping to go from a dark tribal piece to a delicate botanical, that conversation needs to happen upfront. Information about the tattoo's age: Older work is generally easier to cover. If you had laser treatments done, mention how many sessions and how recently. The consultation is also your opportunity to ask direct questions. How large will the new piece need to be? Will any laser removal help before tattooing? What is the artist's experience with cover up work specifically? A studio that specializes in this work will have straightforward answers. Laser removal before a cover up is worth considering if the existing tattoo is very dark or densely saturated. Full removal is not the goal here. Even two or three laser sessions can fade an old tattoo enough to give the cover up artist significantly more flexibility in design and color choice. With less ink to work around, the new design can be smaller, lighter, or use a broader range of styles. The tradeoff is time: laser sessions need several weeks to heal before tattooing over the treated area. If your old tattoo is already faded, or if it was done with thin lines and light shading, laser preparation may be unnecessary. Your artist can assess this during the consultation and give you an honest recommendation. Costello Tattoo Studio is in Sherman Oaks, Los Angeles. The studio handles cover up consultations for clients across the LA area, including people who have searched for cover up specialists closer to home and decided the work matters more than the distance. Cover up tattoos require an artist who has done this work before, not someone learning the approach on your skin. The consultation is where you find out whether a given artist's strengths match what your cover up actually needs. Costello also offers walk-in availability for clients who want to discuss their project in person before committing to a scheduled appointment. If you're unsure whether your tattoo can be covered or want to understand what your options are, walking in for a conversation costs nothing. To start the process, visit the studio directly or book through the Costello Tattoo Studio website . Bring photos of your existing tattoo and a general sense of the direction you want to go. The rest happens in the consultation.


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